Recent Reviews and News

Andrei Sen-Senkov's Anatomical Theater (translated by Ainsley Morse and Peter Golub) has been put on the short list for a Northern California Book Award.

Another Zephyr Press book, Something Crosses My Mind, by Wang Xiaoni and translated by Eleanor Goodman, has been shortlisted for the 2015 Griffin Prize in Canada.

Relocations is a highly enjoyable collection of poetry introducing the English-language world to three incredibly diverse and talented women poets writing in Russian that could be as meaningful to a casual fan of poetry as to a comparative literature scholar. [full review]
—Will Evans, Three Percent

Yu Xiang’s poems are the poetic equivalent of shoegazer rock. She takes the mundane—a whiff of cigarette smoke, a falling leaf, a housefly—and stares at it so intently that it splits open to reveal something unexpected. [full review]
—Naomi Long Eagleson, Words Without Borders

Różycki is a cultural ambassador of a particular generational experience: that of the grandchildren of the Poles moved west from their eastern cities. His generation, like mine, represents new growth of old family lines in new soil. [full review]
—Nicole Zdeb, The Quarterly Conversation

That a rare poet like Bai Hua has an accomplished poet like Fiona Sze-Lorrain to bring his work to an English-speaking audience is wonderful. The result is a beautiful collection that helps the reader understand a poet of such quiet restraint and largeness of heart. [full review]
—Zafar Anjum, Kitaab, Asia+n writing in English

The title of the book [Wind Says] succinctly characterizes Bai's style—restless, murmuring, with an impressionistic brevity of image—and also displays Sze-Lorrain's translating prowess. [full review]
—Henry W. Leung, AsymptoteJournal.com

Paul Klee’s Boat, Anzhelina Polonskaya’s [latest book], is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel… a vital addition to the contemporary poetry canon, a collection as interesting as it is touching that will inevitably be remembered for years to come. [full review]
—Will Evans, Three Percent

Motherless Child is a superbly wrought romantic page-turner that has elements in it of Jane Austen’s Pride and Prejudice and Daphne du Maurier’s Rebecca, with more than a touch of the latter’s gothic essence. [full review]
—Bill Gladstone, Canadian Jewish News

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